Did We Go Slow?

I follow the contour of the hand and describe the shape with a continuous line – almost without taking my eyes off the title or raising my pen on paper.

It is not exactly a blind container diagram, but it is close – It helps to focus my attention on seeing the objects in front of my eyes the way they look – such as shapes, lengths, angles, and values, instead of designing body parts and ideas about what a particular piece should look like.

It is a well-known theory that by not naming things “like fingerprints” but rather “like an egg, not slightly right at right and flat on the ground,” we free our minds from acquired, targeted features. Only then can we develop the true meaning of each person, the unique thing that lies ahead of us, and improve our style, authentic style, and artistic voice.

I find it essential to think of the palm as part of the whole arm, both in construction and motion.

It helps to visualize the bones and muscles inside and pay special attention to the shape of the wrist. This is where getting used to hand anatomy comes in handy; yes, it helps. And while I do not remember the names of each small bone as I draw, I think of the carpal and metacarpal bones hidden beneath the skin and muscles and how the ulna and radius of the arm are attached to the wrist.

Every line and shape I set at this point has the function of creating the right-hand structure. I try to think about perspective and how the form turns into space – to look at and understand what situations are in front of or behind another.

Next comes light and shadow. I blink my eyes to see the difference better, highlighting the shadows and areas. Prices grow by adding extra lines, cutting through the thick darkness.

The notice reflects light on the back, inside the tent, making the form look round. Extremely dark accents such as fingerprint design and exciting details were added to complete the drawing.

The whole exercise took about three minutes.

In that type of drawing, I draw quickly and produce many drawings. I remember reading that Egon Schiele’s paintings that we love so much now are few survivors of many attempts. He will have a large piece of paper and start his line drawing in front of the model. If he did not like what the painting looked like, even after the first line, he would throw away the paper and start over.

In this case, he may have succeeded in setting a pleasing contour of the hand, but he did not like to start on the torso. That paper goes to the trash and starts again. Repeatedly. It’s good to know that our favourite artists didn’t create our favourite works of art in one beautiful place each time. It should help us not to be afraid of failure.

Free painting allows me to feel overwhelmed with the result and enjoy the painting process instead.

The idea of a “finished painting” is just that – an idea. If I don’t feel too precious about the result, I allow myself to stand out anytime I really like painting, regardless of the level of completion.

Some of the paintings you see here are just concrete drawings. Suppose it sounds like I did what I wanted on the contour itself; if the image “clicks” and talks to me, that’s it. That’s a finished drawing.

If it sounds like developing certain features or ideas, I will explain the form further, build lights and shadows and add details. And some do not work at all – the drawings that end up being discarded

. Even those bonded drawings are essential. Failed results do not mean that the process has failed or that the evaluation period is over.

Seeing and learning from our “bad paintings” may be an essential part of the whole process! The freedom to explore different options and not focus on being “right” allows our sensitivity to explore different ideas and ways of representing what is in front of us and ultimately find our artistic voice.

Draw Anime Hands Hold Something – This step-by-step tutorial shows you how to draw anime, manga, or comic-book-style hands with various objects. Examples include hands holding a knife, a sword, a shopping bag, a phone, a gun, and a pen or pencil. These examples can also be used to draw real hands.

You may also want to see how to draw anime with Manga Hands step by step.

Drawing hands themselves can be very difficult. Drawing hands holding something can be even more tricky as the parts of the hand can be covered with something that makes it even harder to get the proper placement and proportions of the different parts of the hand.

To help you with this lesson, we show examples of drawing objects you may have seen in anime, manga, or comic books.

How to Draw Anime or Manga Hand Holding a Knife

Start drawing by getting perfect measurements of large hand parts. You can remove them into one large shape when the fingers are joined before drawing each finger.

Draw the base of the thumb and then the thumb itself. Different situations may overlap, but you can clear the lines as you continue to draw so that your drawing does not overlap.

Your finished drawing of the scales should look like a hand-wearing glove.

After you have a rough hand (this could be a rough drawing), draw on the real thing, the hand that is holding it (in this case, the knife).

Clean your drawing by deleting any guidelines.

Draw hand details with a knife. You can also pass the drawing with clean black lines.

You can also use the same hand view and the exact steps when you draw it and hold another type of object, and you can browse the thing to look up instead of looking down. For example, you can also draw a stick or a sword. You can also rotate the hand and pull it to hold something like a handrail.

How to Draw Anime or Manga Hand Holding a Sword

Start with large hand shapes.

Because this time, we will have a little finger pointing at the other fingers, and we will draw them separately. You can start pulling all the other fingers in one big shape (same as in the first example).

After removing the large scales from the sword, remove each finger afterward.

Clean your drawing.

Draw small details.

As in the previous example, you can also use this view and hand gesture to show us holding on to other things or holding on to something in a relaxed way.

Start with large hand shapes. Draw the palm and the base of the thumb.

Draw the general shape of the fingers and then draw the base of the thumb followed by the thumb itself.

Draw a bag after hand drawing and draw each finger afterward.

Clear guidelines and complete your drawing by adding details.

How to Draw Anime or Manga Hand Hold a Phone

Although most of the hands will later be covered b the phone, you should also draw larger hand shapes as in previous examples to avoid making mistakes later.

Draw a rough shape to show the outer body of the fingers (you can skip this again to get this look and start drawing each finger). Next, remove a thumb.

Draw the phone slightly so you can see the hand.

Clean your drawing. For lesson purposes, the phone is left as “see all” in this step, but you can continue to erase the hidden parts of the hand.

You could erase the invisible part of the hand if you did not do so in the previous step and draw details.

How to Draw Anime or Manga Hand Holding a Gun

Draw large hand shapes.

Draw the index finger separately from the other fingers (you will be on the trigger) and draw the general shape of the other fingers together.

Draw a gun after you have large pieces of hand.

Draw each finger.

Clean your drawing.

Draw details.

How to Draw Anime or Manga Hand Hold a Pen or Pencil

Find complete hand measurements. It can be even more challenging to draw part of the handwriting in this view.

Draw a thumb and forefinger, and then draw a pen or pencil.

Since some fingers are not fully visible in this view, it may not be easy to draw them correctly with measurements. It is, therefore, an excellent idea to altogether remove each finger from the base to the end with light lines (you can clear invisible parts later).

As a result of the study, some hand parts are shown as visual to make it easier to see other parts. You do not need to worry about this in your drawing.

Draw a ring finger.

Draw a pink finger.

Clean your drawing.

Draw small details of the hand.

Conclusion

As mentioned, you can use examples in this lesson to draw hands holding other objects. You can also draw hands with other ideas using the same principles, starting with a complex drawing, drawing large parts of the writing first, and working your way down to the details.